He was a total Lata loyalist.Ī nice song sung by her under Rashid Atre is armanon ki bast me from Shirin Farhad (1945). I didn't know at all that she sang forr Salil Chowdhury. I loved the fact, that most of the songs in the lists werre unknown to me. Well, some good songs sung by her for men are already on my post That in a score that is even today, regarded as a classic, it was Ek do teen that broke all records when the music was released. The song was to be picturised on the legendary dancer. Despite the supposed dislike, they were forced toĪsk her to sing in Awaara - she was well known as Cuckoo's voice, and Why S-J never used her if they could help it. (apparently) acknowledged that Jaikishen did not like Shamshad, which is Preferred her to any other female singer.
ShankarĪnd Jaikishen had both started their careers with Lata Mangeshkar, and Raj Kapoor had never worked with Shamshad Begum after Aag. When Raj Kapoor fell out with Ganguly, he picked Shankar and hisįriend Jaikishen as the music directors for his next film, Barsaat. Shamshad Begum first met Shankar when he came along with Ram Ganguly and Raj Kapoor to her house to rehearse the songs for Aag. Shyam Sunder - for a Punjabi film called Gul Baloch in 1944. Shyam Sunder was so impressed that he invited Organisers to let his brother sing - this was Rafi's first public Was in the audience at a KL Saigal performance, when the power went offĪnd Saigal refused to perform. Sunder has to his credit his 'discovery' of Mohammed Rafi. IfĪsha Bhonsle came to be known as Helen's voice, then Shamshad Begum wasĬuckoo's. However, in this song, she is playback for Geeta Bali as Shamshad had only one solo in Baawre Nain. Rung of music directors in the Hindi film industry. Kidar Sharma, who was also Raj Kapoor's mentor, gave Roshan his secondĬhance, and Roshan never looked back - the amazing score that he mountedįor the tragedy that played out on screen propelled him onto the top
This was Roshan's chance to redeem himself after the devastating failure of his debut film, Neki aur Badi (1950). The clarity of enunciation, theĭepth of feeling, the effortless ease with which she 'emotes'. The best way of judging Shamshad's voice - without the added distraction
Orįor any other from the film, for that matter. Is unfortunate that there aren't any videos available for this song. My other choices for a Naushad-Shamshad collaboration were the lovely Chaman mein rehke veerana from Deedar (1951) or Aag lagi tan man mein from Aan (1952). It is interesting to note that she was already anĮstablished singer when Naushad entered films. Naushad has often said that after Lata, Shamshad was his favouriteįemale voice. It was the beginning of a long and successful relationship. (1946), and she managed to hold her own among a plethora of KL Saigal Her first song for Naushad was for Jab usne gesu bikhrayefrom Shah Jehan Many of Shamshad's biggest hits came under music director Naushad's baton. And while S-J went on to make their fame andįortune, Ram Ganguly languished, not in the wilderness, perhaps, but However, Raj Kapoor always acknowledged the debt he owed her. Other than the one solo she sang in Awara. Iĭo not recall a single song that Shamshad sang for RK films after this. Was the film that set them all on the path to success) to Shamshad. Unfortunate, because S-J preferred Lata Mangeshkar ( Barsaat It is unfortunate that Raj Kapoor hadĪ falling out with Ram Ganguly during the making of Aag and formed his own musical team with Shankar and Jaikishen. Was swamped with work at the time, she took on Aag because of Him introducing himself as 'Prithviraj Kapoor's son' - and though she
To ask her to sing in the young man's directorial debut. Director Ganguly was the music director of Prithvi Theatres Shamshadīegum talks of meeting him and the young Raj Kapoor, who had come to her
0 kommentar(er)
